One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, combining and mulching everything into new, dynamic sounds with lots of movement and texture.
Recording of a small brook in the forest. The water is flowing underneath a thin layer of ice giving it a filtered effect. Recorded with the h2n zoom recorder.
There was a foley (of the then cranky closet of mine i was fiddling with) lying around in my hard drive i recorded some time ago. I pitched it down several times, stacked up in multiple layers & went on to process the layers individually.
This is my competition entry for earth. It is comprised of copies of a kick drum recording and a high hat recording i've done with some phase vocoder processing. This short sound is really about 7 tracks of layered audio.
A recording of ambient noises in the night, recorded with a zoom h5 handy recorder. The left and right channels have been eq'd differently to give a wider stereo feel, and a reversed version of the recording has been layered on top of the original.
A horror type sound using layered and different speeds applied to my voice and a saw blade recording. With a freaky intermittent screaming static noise.
This is a recording of a friend of mine, i asked him to record this voice as a favour for a movie called 'the mad detective' - it was used as a layer in the city scape, the voice is advertising his service as a knife sharpener.
I'm not sure why i had called it a "song". It's just a really old recording of me saying "omnom" repeated and layered on top of each other. It's annoying, and that's all it is.
Complete pack of tennis sounds that i recorded for a project are available. Some traffic, wind noise under recordings but all should feel quite natural. Work well once layered with some sharper, brighter pro records.
A semi-automatic rifle, pitched down 3 semi-tones. Made in bitwig, i used 10 different recorded gunshot layers that have been eq'ed and multiband compressed to form a new gun sound. Subbass was synthesized for the super low end. The process i use is to select frequencies using high pass and lowpass filters from a recording for the lows, mids and highs. This forms a "layered sound".
Swishes for layering, transitions. Some swishes have a tonal character to it and every swish is different so you can use it for multiple situations in an edit or something. You are allowed to use these sounds in any way, no need to credit me. Greets, tapesome. If you want to support this free community give freesound a donation and give something back to this community to upload your own high-quality sounds.
The original source material was a recording i did of a doritos bag (cool ranch lol). I then layered and pitched it and some of other mojo, and here we are. Enjoy it!.
One of a series of heavily processed sounds of me ripping various objects off a sticky surface. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, using the granular synthesis features to generate a range of distorted, robotic tones.
South india, goa state, sunrise. Every sunrise the hill tropical jungle is rich in sound. Slowly, the awaking of the village as added layer. Md recorder - pocket microphone.
This is a transformation of the original recording https://freesound. Org/people/pinehadmz/sounds/369501/. For week 10 "musical piece" assignment for the audio signal processing for music applications online class. There are three layers, panned in stereo. Each syllable of each layer was randomly pitch shifted to a note in the minor scale using the harmonic plus stochastic model. Each harmonic track was thickened with extra harmonics during the synthesis process too to make it extra weird.
No layering of bird songs, single track recording; 30 seconds recorded with sm58 mono, cleaned up bottom and mids, lowered some frequencies to clean further, 16 bit, 44. 1 mhz, boosted to approximately -24 lufs.
A closeup recording of a bright light like the ones that illuminate flags. Recorded with an iphone for intentionally cheap-sounding, distant fidelity. Currently mixed hot but can be brought down for a more ambient layer in a room.
Effects recorded from the field of the zoom h6 recorder,and microphone oktava mk-012-01,and then processed. Sound composed of several layers, and then processed with different effect plug-ins in: cakewalk by bandlab.
Loopable lead sound from my technosaurus microcon, obtained by multi tracking 3 slightly detuned and lightly off phase saw waves. 12 pole filter, fully opened, no resonance. Played in gate-trigger mode (no adsr whatsoever). Recorded directly into audacity through my macbook internal soundcard. Info on this synthesizer: http://www. Vintagesynth. Com/misc/microcon. Php.
Simple dminor pad created by layering two minimalistic custom waldorf blofeld patches and a bit of faint korg monotribe. U-he's satin tape emulation on every track. Recorded in cubase 6. 5. It's always nice to hear what projects you use these sounds for. Let me know. ;-).
Small creek on a trail up to granite mountain on snoqualmie pass. A smaller trickle layered on top with eq to get rid of freeway noise. Recorded with x/y mics on a zoom h2n.
A recording of me whispering, then layered four times and a convolution reverb effect added. Recorded using an mxl v63m condenser mic through flstudio.
This is an underwater ambient loop i created for a game-jam project. Since the project was nothing but good fun, i have uploaded some of the more useful sounds to freesound. Org for everyone to use. The sound was created by layering hydrophone recordings with filtered noise.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.
